> ## Content Index
> Fetch the complete content index at: https://www.themariejohn.com/llms.txt
> Use this file to discover other available public pages before exploring further.

# The Nolaverse is Live: First Look at the Vieux Carré Press 📰
- URL: https://www.themariejohn.com/the-nolaverse-is-live-first-look/
- Published: 2025-08-14T02:47:59.000Z
- Updated: 2026-10-04T20:11:22.000Z
- Description: Welcome to Nolaverse — the world that will house a series of books taken place in New Orleans and surrounding cities ⚜️
- Author: Soul x SWMarie ✨
- Tags: Crime, Fiction, Mystery, Newsletter, #Migrated-1791144068973, #Import 2026-10-04 20:05

[Inside the Heart of 'Nolaverse' : First Glimpse 🔍the newspaper image below below is a completely fictional. some places are real, New Orleans is real and Katrina was very real. However, this is a crime thriller series that I am launching (and have been working on since the beginning of the year) and I am excited to get it off the ground this year! The NOLAVERSE is an interconnected world of crime, sca…![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/b562d600-c773-4546-b26d-9c7d53c55b62_313x313-2.png)Letters in the Liminal MarginsMarie In Reverie ☁️![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/01c1aeba-092f-44b9-803f-7f886f479400_1080x1080-jpeg-4.jpg)](https://www.themariejohn.com/inside-the-heart-of-nolaverse-first/)

If you’re wondering what you’re about to read — please click the link above first to understand! This is completely fictional and lives inside of the world of ‘Nolaverse’.

[Subscribe now](#/portal/signup)

---

**Vieux Carré Press**  
It’s March 2006 in Crescent City. The streets are still rebuilding, but the rumors? They’ve never stopped moving. From bodies washing up in the river with stories that don’t add up, to a society circle that runs on champagne and secrets, and the late-night corners where business is conducted in envelopes — *the Press has its eyes everywhere.*

These aren’t glossy or polished reports. **Not even close.** These are the *ink smudged truths* scraped together by the last honest voice in the Quarter… before someone decides it’s better silenced…

Here’s what we know.

![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/d6e4fca9-07b5-4ce9-b5e9-2da5880558b6_1080x1080-jpeg-4.jpg)

![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/645ed7a4-eaf3-487d-b292-685619b74b3c_1080x1350-jpeg.jpg)

![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/bc344fd9-d5f2-4ed2-a949-4706d69b27d5_1080x1350-jpeg.jpg)

![](https://storage.ghost.io/c/69/a5/69a50cf8-a236-4da4-b798-8dad6075188d/content/images/2026/10/7c8e9b46-3e5f-43ed-8e15-cd51eb883de8_1080x1350-jpeg.jpg)

newspaper images made in canva by me.

The Quarter sleeps with one eye open.  
If you’ve got a tip, send it to the editor before next Thursday’s issue.  
If you’ve got something to hide… you’d better pray the **Vieux Carré Press** doesn’t hear about it first.

*— End of Issue No. 31*

**LETTER FROM THE EDITOR** 
*March 16th, 2006*

They say this city runs on jazz and bourbon, chile, but I know better — it runs on what people think they can get away with. Since Katrina, the city has been a cesspool of corruption and secrets with the higher ups.

This week, the river gave back what someone thought it could keep. Three strangers. Salt in their clothes and questions buried deep inside their pockets. You can tell yourself it’s nothing, but the Mississippi doesn’t lie — and neither do we.

I’ve got a feeling this story isn’t finished. And while everyone’s watching the levee, *something* else is moving in the Garden District — behind those drawn black and gold curtains, with names I’m not ready to print yet. Not until I’ve got the proof in my hands.

See you next Thursday. Bring cash. You’ll want a copy of what’s coming.

*— E.M., Editor in Chief*

---

© Soul Noir Ink House. All rights reserved. Unauthorized use, reproduction, or adaptation of this work — including story concepts, characters, and settings — is strictly prohibited.